To The Ghosts Who Write History Books

October 30, 2011

Friday afternoon, a journalist began to type up a draft of his assignment: announcing that the Texas Rangers had won the World Series.

“In their second go-around,” he wrote, “the Rangers found a way to win.” He tentatively titled his story “Rangers in Seven, a Two Season Journey.” The journalist cited the Rangers’ excellent defense as well as their repose after a brutal Game 6 loss.

He provided space for would-be facts, like the pitcher’s [# of strikeouts] strikeouts and the crucial [type of hit] that earned [# of runs] in the decisive [which inning]. With attention to the Rangers season-long campaign, their post-season performance, and several explicit allusions to their previous World Series attempt against the Giants, this piece provided excellent context for the Rangers 2011 World Series win.

But it was never published, because the Rangers lost.

And somewhere out there you can find a heap of T-shirts and caps that say: Texas Rangers 2011 World Champions, never worn. Unopened champagne, unhung banners, unwaved flags all waited for the possible moment of being opened, being hung, being waved and celebrating victory – but they remain unopened, unhung, unwaved.

Everyone woke up to possibility and fell asleep to history. The one pile of hats and T-shirts were worn, the others will be placed in a museum of unhistory, where one can find relics reminding us of the possibilities spoiled by actualities. And the Cardinals came as close as possible to losing – twice, the ball in the pitcher’s hand was 60.5 feet from ending the game and bringing out those hats that are now piled up somewhere – but… one strike away is one strike away is still one strike away, and a good hit means you’re three strikes away again, and a walk-off home run means you’re a hero.

I’ve been obsessed with slow motion recently.

Very slow motion.

After Game 6, I watched Lance Berkman’s bottom-of-the-tenth hit slowed down about 2000%, which transformed a transient moment into a minute-long clip. A static ephemeron. You see the pitcher’s wrist flick back. You see the way Berkman’s legs begin to move as soon as the ball is in the air. A quick shrug of the shoulders that isn’t quick at all, when you watch it like this.

And the moment that the ball contacts the bat, viewed like this, is absolutely insane. Ninety-six miles of sewn velocity meets massive wooden force and the two objects hang on to each other for a great little while, discussing plans, finally settling on shallow center field, and the ball flies, the audience detonates, and then everyone calms down, and the moment is over.

That’s what’s so strange for me to imagine about the life of a professional baseball player: a whole year is devoted to one moment, and even when you win, you enjoy a few days of parades, dog piles, disbelief, and then… there’s next year. There’s next year for the losers, next year for the winner. You’ve won and now it’s time to try to win again.

There’s something very strange about human striving, goal-based as it is: the moment of achievement is as devastating as it is wonderful, because, yeah, you have what you were working for, but life’s still life and you’re still living it and what are you going to do now? The past can’t be accessed, the present moment is something so fleeting that it can’t be properly enjoyed until it’s already over, and the future is a gossamer-to-be, tenuous and flimsy and unconcerned with human striving.

So we slow down our moments, we stretch out our finitude, we scream at the top of our lungs, and we don’t know what we’re doing, but at least this year we won.

There & Back Again

October 22, 2011

I had assured everyone the night before that I would be fine, so I had to be fine.

“You’re afraid on our roof sometimes, Dan,” Lea scolded me. “Don’t you know that hiking in the mountains is even worse than that?”

I knew that, yeah, but I figured I’d be okay because the trail guide we were using was written for parents of five- and six-year-olds and includes sentences like: “This rock might be a little big for Junior’s small legs; we recommend that Papa goes up first and helps Mama hoist the little one up,” and “Good job, tike, you can talk about your heroic deeds at Kindergarten tomorrow!”

But, at the same time, the trail we were hiking, Wilde Hölle, means wild hell. So, there’s that.

The first half went great. I got winded early, but pumped some ambiguous asthma medication into my lungs and began to enjoy the fresh, chilly air. I walked alone in front, the two moms a bit behind me, and the three kids, casting Harry Potter spells with fallen-twig wands, always out of sight, but not so far that I couldn’t hear them yelling.

Avada Kedavra! You’re dead. Lea, you’re dead. You’re dead!”

“I know I’m dead, Leonard, but we have to keep hiking you idiot!”

I ate a bunch of grapes and threw them stem just off the trail, and I imagined my father telling me, age seven, that we can come back in a few years and find a grape tree there. “Really?” I’d ask. “Really,” he’d say. And who would’ve known, grapes don’t even grow on trees.

We ate our lunch at Carolafels, a large rock plateau and the highest point of our journey. I even had to do a small bit of rock climbing to get up there, risking my life on small metal foot- and handholds. And I wasn’t nervous. My hands didn’t sweat, my legs didn’t shake. I can talk about my heroic deeds at Kindergarten tomorrow, I thought.

Stuffed with sandwiches, apples, and gummy bears, warmed by peppermint tea and the beautiful view, we began our descent. We arrived at a big intersection and our guidebook was a little ambiguous about which fork we ought to take.

“Are you guys looking for the yellow route?”

We were.

“It’s this one back here. An exciting little path.”

They headed the way we had come from; we headed the way they had come from. The sign read: Heilige Stiege. I knew that heilige meant ‘holy’, so I took it that this part of the trail was a hard-earned, God-given blessing for those who had bravely conquered the wild hell. Of course, I didn’t know then that Stiege meant ‘narrow staircase’.

And so after a few minutes, I found this:

Holy Staircase

That’s the beginning of the holy narrow staircase, built in 1698 and composed of 903 steps that descend 623 feet. This first section is the most tame, because each step is just a few feet above the ground. Around the corner, the steps curve around the edge of the cliff, 500 feet off the ground.

So, I went backwards.

Not back where we had come from – we had been hiking for five hours and it was already starting to get darker, there was no way I could go back – rather, I walked down slowly by putting each foot behind me while gripping both my hands on the rails. As soon as we got around the corner, that is, as soon as we got to the most awful part, we realized that a large group was coming up the stairs, and I had to push myself up against the rail and wait a few minutes for everyone to pass.

Waiting like that was awful.

I yelled songs in my head. I drummed on the handrail. I awkwardly nodded at every single person who passed me coming up the stairs. And then I kept walking. Backwards. Reaching clumsily for the next handrail when we got to the end of a section and the stairs doubled back. Repeatedly asking Julie if we were close, knowing that she was lying in the most encouraging way when she said, “Yeah, closer.”

And then we were on the ground. And there was sand everywhere. In the middle of the forest, at the bottom of the holy narrow staircase that leads to the wild hell, we were on the beach. And the kids built castles and we cut up some apples and we joked about building a little store there, selling shaved ice. And I can’t believe I made it down.

So Long, and Gdansk for All the Fish

October 18, 2011

On my last morning in Gdańsk, a golden cat woke me up by waving its paw.

And waving, and waving, and waving.

A bell was ringing – the kind of bell that is supposed to be used to get the attention of someone behind a counter, but always somehow seems rude to actually use for that purpose – and Agnieszka (ringing the bell), Karol (holding the waving golden cat toy), Stefan, and Marvin were smiling and laughing at how they had woken me up in this delightful way.

“The breakfast is ready downstairs!” Karol says, and the chorus laughs.

“You are all lovely people,” I say, beginning to pull off my blanket and go downstairs with them, when I realize that I had taken off all my clothes in the middle of the warm night. “I’ll be down in a minute.”


The breakfast is bread, cheese, jam, and instant coffee. There’s usually music videos playing on the television, and a bookshelf packed with National Geographic issues from the years 1998-2002 offers the casual astrophysicist a chance to see how slow the cosmos changes, and how quickly our knowledge about it becomes obsolete.

The sofas all face each other in a square, and whoever decorated this hostel had the thought, after arranging the furniture in this way: “Now they’ll have to ask one another questions like, ‘Where are you from?’, ‘Is there anything you recommend I see if I ever go to Istanbul?’, or ‘Have you ever considered a casual encounter with an Irishman?’”

And usually I’m not really a part of the social aspect of hostels.

When I travel, I don’t bring much with me, and for Gdańsk, I packed more books than pairs of underwear. (Sorry mom.) I knew there was a large basilica there, and one of my favorite things to do in a city is spend a few hours in its churches, alternating between reading a novel and watching to see what tourists take pictures of.

I have an empirically-educated belief that beauty has no subjective aspect to it: sitting in the seventh row from the back in the left set of pews, I watched hundreds of people enter the St. Mary’s Church, gaze around at its myriad relics and hallowed hollows, and then turn around to take a picture of the menacing organ that sits high along the back wall of the church. This is the largest brick church in the world, and all cameras point toward the organ.


But I’m compelled to write about Gdańsk for reasons other than its great monuments.

There you can stand on the ground where the second World War began, traipse through the shipyard where the Solidarity Movement was formed, or see a grand main street with its town hall and torture house that were rebuilt to preserve a bit of history. And I expected to walk around and experience all of those great things with my lovely new thermal underwear as my only companion. As I said, I’m not usually social in hostels, and since Lily is three thousand miles from here and can’t meet me in small European towns, I had every intention of finding various haunts with kebab or coffee and enjoying the music of a new language. But, you know.

“There’s four bathrooms in the house, I’ll show you everything else on the map in a second, and here’s the common room, filled with our lovely guests. Say hello, lovely guests.” The lovely guests all say hello.

“Hey lovely guests,” I say.

They did seem really friendly, and someone handed me a cup of coffee and invited me to sit down. I obliged. And then I quickly took out Middlemarch and started at the part where Lydgate’s character is given some wonderful background. A page or two in, I’m having a hard time ignoring the beautiful English dialogue between a guy from Turkey, a girl from Korea, and a German student with a convincing baritone.

“Do you know Korea?” Sasha asks me. “Yes, I do. Wait. You said Korea, not Korean, right? I don’t know Korean.” “Korea, my country, you know it?” “I know it, yes. Not too well, I’m sorry.” “How do you know it?” I don’t really know how to answer this question, and I’m thinking now that I must’ve made myself unclear, must’ve somehow said that I speak Korean. “I’ve seen it on a map.” “Oh, that’s very good. I’m happy you know it.”

Such fragmented geographic knowledge is worthy of accolades, you see. And there I was, engaging the out-of-season, mid-size hostel social scene.


The next morning, I’m eating breakfast and listening to people’s plans and the two Germans, Stefan and Marvin are talking about going to Malbork, which I know only as a very large castle made of bricks. I was thinking about polite ways to invite myself along. “Oh, I was going there anyway, so…” – but magnanimous Stefan must’ve seen my residual post-traumatic stress from not getting picked for the kickball team, moments with conclusive justifications: “Well Dan, sorry, we can’t take you because then teams would be uneven, you know. I think Dario is throwing water in the girl’s bathroom, so you could try that.” But here’s Dan, twenty-two, basically past all that stuff.

“Dan, you have anything planned today?”
“Nothing at all.”
“Do you want to come with us to Malbork?”
“Yes.”


And it turns out that Stefan and Marvin are great travel companions, and not just because they carry a limitless supply of apples, chocolate bars, and nectarine juice.

With Stefan, it was a weekend of coincidences: first, the shared interests (“One of my favorite bands is Okkervil River,” he says, “I think that Will Sheff is the greatest lyricist of our time.” I proceeded to think about all the times that Lily has been forced to listen to me offer an encomium to my second love, Mr. Sheff.); then the Parent Trap-esque happenstances (Our mothers are nurses. Our older sisters teach elementary school. We both like Oreos dipped in milk. Or at least I do, and I’m just assuming he does based on the congruence of the other stuff.); and then the concomitance of character that exists between two fellows who feel deeply about history, art, philosophy, and the beauty of large portions of pasta at affordable prices.

Marvin is clever and studious, and his humor consists of timebombs delicately inserted into the course of conversation, which explode several seconds later, after which Marvin’s face betrays no sign that his intention was to make anyone laugh – the natural effect of which, of course, is that someone is forced to play the role of a stock character from a popular television show about the college life of American adolescents and say, “You’re funny man, you know that? You’re ‘ha-ha’ funny.” And he absolutely is. On our last night, at an Indian restaurant right by the train station:

“So, are you seeing this girl or not Stefan?” I ask. “No, you don’t understand,” he insists, “that other girl is gone. She’s in Chicago.”

And Marvin looks over at me after this pause.

“Chicago,” he begins, and it sounds like ‘Sheecago’ in his great German accent, “is a city in the Midwestern United States.”

Or another time, right after we arrived at Malbork, and Marvin asked us if we were prepared to “defend the holy Christian faith as the Knights of the Teutonic Order have done in this very place.” A few minutes later, when we had taken a wrong turn on his advice and were forced to climb up a small hill to get back to the right street, Marvin assured us:

“Don’t fear, the Knights often made similar detours to prepare for battle.”


And so I found myself with a neat little group of friends for a few nights in Poland, and it’s absurd how fast human beings can form a routine and how then throw it away again, and so I’m back in Dresden, Marvin and Stefan continue their journey in Poland, and Agnieszka and Karol will continue to work at the hostel. And that golden cat, a perfect anomaly, is still waving.

Different Trains

October 16, 2011

The toilet in a Polish train flushes right onto the tracks.

It’s a seat with a hole: a Middle Age luxury, a Soviet utility. I must say, there’s something very thrilling about sitting right above one of these holes, and looking down (honestly, you can’t help but look down) as each segment of track disappears before you can even focus on it. And, if you’re looking for exciting new ways to leave behind biological reminders that I lived on this planet, damnit, there’s hardly a better way than slowly peeing in a Polish train.

Performing some brief calculations (Note 1), I determined that, having peed four times on Polish trains, I drew various lines across the country’s railway system that altogether would be equivalent to a straight line with a length of 2897.78 meters. This is not even to mention the other treasures that I left behind, between Sopot and Gydnia, and just outside of Szczecin. But enough…


My compartment-mates on this leg of the journey are a Polish mother and her five year old son.

They live in Leipzig now, because her husband is German. He works for an oil company, and spends eleven months out of the year in Serbia. Of his one month vacation, two weeks are spent with the mother and son, two weeks privately. She doesn’t say why. The son and I play memory, he teaches me a few Polish words, the mother praises my German ability.

The boy takes out the travel edition of Battleship and explains the rules to me. They’re not the real rules, but I’m willing to play anyway. Every time I fire a missile that would’ve hit him, he moves his ship and says “You hit water!” I just keep firing anyway. Meanwhile, he sinks my lonely submarine, which I had hidden down at J8-J10. The mother wants to know more about my girlfriend.

“She lives in New York and works as a volunteer. I hope she comes to visit in February.”

The conversation steers back toward things to do in Poland: the quality of the clubs, the bars, the…

“Girls here in Poland are excellent. Very beautiful, and you’ll find a lot of them will like you. Intellectual, you know. Your type is very popular in Poland.”

My type is very popular in Poland. But… I don’t care. I talk to the Polish woman about how Lily and I sometimes talk about cities we may live in, sometimes disagree. The ocean calls her, I pretend that I want nothing to do with it.

“Sometimes these things just don’t work out,” she tells me.

She says those words! When someone actually says those words, it sounds like they’re quoting a television show whose writer lazily quoted something they heard someone say in a train, but of course that person was quoting a television show… and on, and on, and…

“We’re getting off here,” she says, “if you’re ever in Leipzig, maybe we’ll see you.”

“Bye,” the kid says, and then in English, “you are very sunny.”

And who knows where his dad was then, what he was doing, who he was talking to, how he felt to be away, what he knew about his son, how many pairs of shoes he had, when the last time he’d spoken with his wife was, what he likes to eat for breakfast, if he likes to fall asleep to music or silence, or the television set, or a human voice.

And Lily’s a million miles away, or three thousand, or four thousand (…five?), and the ocean’s calling us, and I’m calling her, and I’m writing her a letter, and I’m tweeting and e-mailing and skyping and facetiming and she’s doing all of those things too, and neither of us are in Serbia, and how hard it must be to never see your dad, and what does he do with those other two weeks, and sometimes these things do work out.


There’s a man smoking in the train bathroom.

I’d normally be upset and reaching for my inhaler, but this is exciting: a police officer is waiting around the corner for the guy to come out, and he’s got his hand on a baton. I’m not quite sure where to go, because my stop is next and I’ve got all my luggage, but I’m standing right by the bathroom door and there’s smoke coming from under the door and if I spoke more Polish (and was totally ripped) I’d look over at the policeman and say, “Let’s break this door down and mercilessly attack that low-life with your baton.” But I step out of the train, the criminal stays aboard (or perhaps sneaks out through the hole…), and another history is recorded without an end.


  1. I’m assuming 160 km/h for the speed, as this is the fastest I’ve seen published for Polish trains. In addition, I’m meticulously self-aware, so I know that the average amount of time I spent peeing was 16.3 seconds, factoring in, of course, water intake, anxiety, and the care that one has to take while being throw about wildly by decades-old trains. So 160 / 60 / 60 (speed of train in seconds) x 65.2 seconds (total seconds spent urinating) x 1000 (convert kilometers to meters) = 2897.78 meters. ↩

Another Steve

October 14, 2011

I didn’t have a clue what Steve Reich looked like, so I watched him perform the first phase of Drumming last night thinking that he was ‘that charming old man in a blue baseball cap.’

A man that made me miss my grandfather. But my, my, my, that man was Steve Reich, a brilliant composer, and I watched him play piano during Music for 18 Musicians, his 1976 piece that I listened to hundreds of times while drafting my senior thesis last spring. I listened to it so much that it inspired me to connect the music’s concept with the concept of my thesis. I eventually wrote the two paragraphs below, which are likely incoherent.

There is a beautiful piece of music by Steve Reich called Music for Eighteen Musicians that I listen to whenever I sit down to work on this paper. As I am nonmusical, I can only give a partial explanation of the work, which is a droning — though not unexciting — cycle of eleven chords. The opening section, which is called a “Pulse” and lasts several minutes, slowly works its way through the entire cycle with piano, violin, cello, marimba, maracas, xylophone, clarinet, and chanting female voices. The next eleven sections each develop a piece of music based around each of the eleven chords in the original cycle. Thus, each chord of the original cycle is isolated to create, in a sense, a new, but not unrelated, cycle. As such, any given chord is both a separable piece of a cycle and a possible generator of a new cycle. Each chord is parasitic and creative; child and parent; part and whole.

If you could imagine slowing down the opening cycle of eleven chords playing each chord’s individually generated cycle at the same time as its section in the original cycle, you would suddenly be overwhelmed by the cacophonous synecdoche that assaults you. Moreover, if you continued this process ad infinitum — isolating each chord and creating a cycle around it and then playing these cycles simultaneously —you will perhaps be struck by the fascinating opposition that strikes me: each subsequent individuation is, at the same time, a very potent universalization. Each individual chord is a relation to the other chords, and when it is separated, it becomes, once again, a relation to the other chords. So too are the individual instruments necessarily bound up in a number of identifiable relations: consider, for example, that the A note played by the violin and sung by the female voice is the “same” particular sound emitted first by the tension between bow and string, then by the exertion of human breath. The A note can be viewed both as an individual note and as a rule for what constitutes an A emanating from one instrument or another; an instrument, likewise, is both subject to these musical laws and is also generative of particular instantiations that follow from those laws. The piece is sublime.

It was wonderful to see the piece played live. The singers are absolutely amazing in their control, their timing. The xylophone players are profound. Later on in the evening, during a discussion, someone commented that the piece is constructed such that it interrupts the normal perception of time – it’s repetitiveness, it’s circularity, it’s jarring juxtaposition between the quickness with which each note is played and the languid pace at which the music as a whole develops makes hours like seconds, seconds like hours, hours like seconds… I’m tremendously fortunate to have seen him perform live.

Below, I’ve attached a video of the Grand Valley State University’s teaser video for their wonderful recording of Music for 18 Musicians. That is the version I listened to while writing my thesis, and I think it’s a piece of music that everyone would be pleased to hear. A recording of the discussion that I saw following Steve Reich’s performance at Hellerau in Dresden can be found in four parts on Youtube.

For Wojciech

October 12, 2011

This summer I was a reading teacher. At Hugo Reid in Arcadia, I met a gentle custodian named Wojciech.

It means “joy in war”, which I know because I was instantly obsessed with this guy and looked up all facts about Poland after I met him. His English wasn’t great, so we had simple conversations.

“Hello Mr. Teacher, your kids good today?”

“Great Wojciech, great. I’m making progress with the middle schoolers.”

“You had Indian. I smell it and I’m throwing it away now. I shouldn’t have told you to do whatever you want in this class!”

He’s kidding, but I take the broom and help him sweep some of the leaves off the sidewalk. At the other end of the building there’s two peacocks walking toward us. In Arcadia that’s normal, so you’re supposed to either not acknowledge them or, if you have to clean up after them, then you’re allowed to complain. “I clean up their shit, Danny. Peacock shit is not easy to clean up.”

I always stayed twenty or thirty minutes after my workday when Wojciech was around, because he told great, simple stories. “Boy, you know, my son is a smart little boy.” “How old is he, Wojciech?” “He’s twenty-five. He has a girlfriend and he paints. Smart boy.”

I can’t remember hardly anything that Wojciech told me, but I remember how excited he was when I told him I was going to Germany for a year. He’s in his fifties, left Poland when he was in his twenties, and has never been able to afford to go back. “Go to Gdansk.” “Gdansk,” I say incorrectly. “Gdansk. Say it again. Again. Wrong. Again. That’s close.” “What’s there?” “I was born there.” That was enough, and I knew I’d end up going, because I admired Wojciech.

He told me about his single pair of pants and his involvement with the Solidarity movement. “I was a revolutionary, you know.” “You were?” “We changed the world, we were so young and stupid and drunk and we changed the world,” he said, and he laughed because it was the most true part of his life and he had changed the world and we were scraping peacock shit together and that changes the world too, even if no one notices.

But then he said the next thing and it was like the last line delivered by a too-fatherly schoolteacher in a too-conveniently-moralizing film, but there was absolutely nothing but love in it the way Wojciech said it: “Now it’s your turn. You’re young. Go change something.” “I will, Wojciech, and I’m going to send you a postcard from Gdansk.”

I’ve said cheap stuff like that before — sure, I’ll call, we’ll meet at the arcade, see you at Derek’s place, whatever — but I haven’t let that thought about the postcard drop. And I’m heading to Gdansk this weekend, and it’s a beautiful city so I’m sure I’ll have no problem finding the perfect card for Wojciech.

Play Music Together

October 10, 2011

I have a new game.  It’s not a game, but Leonard calls it a game.

”Mom, Dan has a new game.”

He’s so pumped.

“You collect points and then you can buy new avatars and people dance if they like what you’re doing,” Leonard explains.

“Do you have any idea what he’s talking about?” I ask. Of course she doesn’t, and I doubt I would either if I weren’t the one playing the game.  If Leonard explained what I’m doing this moment to somebody, it’d probably go like this: You put your feet up on a table, wiggle your fingers a little bit, eat gummi bears, and look around the room for inspiration.  I call it writing.

The game that Leonard likes so much is a souped-up chatroom called Turntable.fm.

On this website, people play the role of DJ in various rooms, categorized generally by genre, while others listen to your music, chat about other music, discover new music, and perform other transitive-buzzverbs on music.  The social manipulation that grabbed Leonard instantly is that every listener is given a simple choice: press the green AWESOME button or the red LAME button.  For everyone who presses AWESOME while you’re playing a song, you get a point (and their avatar bops its head in a way that’s far too realistically self-conscious).  If enough people choose LAME, you get boo’d off the stage.  But getting points isn’t THAT cool, right?  Wrong, it absolutely is, because the more points you have, the more options you have for what outfit your DJ wears.

And if I sound like I’m detached and way above the treadmill of unlocking silly regalia for my part-time personality of e-DJ, it’s because I wish that I were detached and way above that treadmill.

As I’m writing this, I’m listening to Turntable and Leonard is supposed to be brushing his teeth and getting in bed but he’s begging that I find a room with an empty DJ seat and play a song so we can desperately ask for approval.  Because its usually fringe, unpopulated rooms that have free places for DJs, I’ve had to resort to playing Trance, Reggae, and 50s Soul — which I know nothing about.  I have Leonard choose a song at random that was played in that same room earlier that day, and then we stare at the screen and wait while the other DJs play and Leonard dances, grooves, moshes around the room.

”He’s playing a really cool song.”

“Yeah.  Do you listen to 60s R&B a lot Leonard?”

“Not a lot, but a little.”  His humor is occasionally so subtle that it’s unbelievable he’s nine years old. “How many more minutes?”

He’s patient.  I ask if he wants me to call him when we’re on, but he likes waiting.  He has me translate what the other people in the chat room are saying. “What’s he saying?” “He’s saying that he likes this song.” “And him?” “He likes it too. It’s not a very interesting conversation.” “Oh!  He said something long.  What is it?”

He touches the screen, which would probably bother me if I weren’t so excited by his enthusiasm. “I can’t tell you.” “Why not?” “Leonard, if I tell you what he just said, your mother won’t let me live here anymore.”

And we’re on. We’re playing a song that I’ve never heard before, and immediately three people congratulate me on my taste and become my fans (which means they get an e-mail anytime I start playing on Turntable). “You can be my fan too,” says PoopStar69.  ”I don’t really participate in the fan thing, sorry,” I say. My fan count goes from 9 down to 8. By the end of the song, though, we’ve gotten eight points and the awkward, sparse crowd is filled with sluggard head-boppers.  We’re well on our way to unlocking the thousand-point behemoth: a giant gorilla with an undersized head and a large collection of “bling.”

“Another song?  Please?”

“Goodnight Leonard.”

“Okay, but tomorrow we’re playing again?”

“Yes, tomorrow we’re playing again.”

And in fact, I’m playing right now while he goes to bed.  I think he’ll be proud of me at breakfast that I’ve got 425 points now.